Adel Abdessemed, Marina Abramović, Ghada Amer,  Omar Ba, Georg Baselitz, Charles Benjamin, Vittorio Brodmann, David Claerbout, Wim Delvoye, Daniel Dezeuze, Farber & Dumontier, Mounir Fatmi, Jan Fabre, Richard Fauguet, Philippe Favier, Vidya Gastaldon, Nan Goldin, Yann Gross, Charlotte Herzig, General Idea, Khaled Jarrar, Alexandre Joly, Fabian Marti, Fabien Mérelle, Bruce Nauman, Giuseppe Penone, Javier Pérez, Joachim Pérez, Léopold Rabus, Till Rabus, Alan Rath, Antoine Roegiers, Dorian Sari, Sersem Jim Shaw, David Shrigley, Robert Smithson, The Royal Art Lodge, Will Turner, Nils-Udo, Bob Verschueren, Not Vital, Cristina Wendt

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Alan Rath, Yes, Yes, Yes!, 2012, Aluminium, steel, rubber, fiberglass, FR-4, custom electronics, motors, feathers, 320 x 304,8 x 304,8 cm, Edition of 3}

^{Adel Abdessemed, Politics in drawing, Owl, 2021, Charcoal on paper, 59,2 x 42 cm}

^{Cristina Wendt, Ciel I, 2022, Oil on crystal paper, 100 x 73 cm}

^{Daniel Dezeuze, Sans titre VII, 1994, Pastel and lavis on paper, 50 x 65 cm}

^{Joachim Pérez, L’approche, 2021, Wool and cotton embroidery, 38 x 44 cm}

^{Yann Gross, Trophées de chasse, 2012, Pigment print on bagasse paper, 80 x 65 cm, Edition of 5}

^{Nan Goldin, The peacock after the fire, Deyrolle, Paris, 2008, Cibachrome mounted on Dibond, 76,2 x 76,2 cm, Edition of 15}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Fabien Mérelle, Deux branches, 2020, Ink and watercolor on paper, 29 x 41 cm}

^{Javier Pérez, EL DESAMPARO II, 2020, Pencil, pastel and charcoal on black paper, 71 x 51 cm}

^{Nils-Udo, Regard dans la mare, 1991, Indian ink on paper, 67 x 80 cm}

^{David Claerbout, The Algiers’ Section of a Happy Moment, 2011, Photography on barite paper, 50,8 x 67,7 cm, Edition of 6}

^{Yann Gross, Buena Vista, 2016, Phototype printing on 157 g/m2 bagasse paper, 49 x 58 cm}

^{Bob Verschueren, Installation I/99, 1999, Photo couleur, 56,5 x 91 cm, Edition of 10}

^{Robert Smithson, Torn photography from the second stop, 1970, Four-part torn offset photograph, 56,5 x 56,5 cm}

^{Serse, Gas, nuvole, 2004, Graphite on paper, 30 x 40 cm each}

^{Vidya Gastaldon, Mobydick (sperm whale), 2011, Mixed media, acrylic and oil on canvas, 120 x 100 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{David Shrigley, Cat Box, 2001, Cat box and tinted polyurethane, 50 x 115 x 75 cm}

^{Charlotte Herzig, Flashback I have a Flashback, 2020, Acrylic on canvas, 35 x 50 cm}

^{Charlotte Herzig, Flashback I have a Flashback, 2020, Acrylic on canvas, 35 x 50 cm}

^{Charlotte Herzig, Flashback I have a Flashback, 2020, Acrylic on canvas, 35 x 50 cm}

^{Charlotte Herzig, Flashback I have a Flashback, 2020, Acrylic on canvas, 35 x 50 cm}

^{The Royal Art Lodge, Children (52), 2007-2008, Mixed media on wood, 7,6 x 8,9 cm}

^{The Royal Art Lodge, Women (68), 2007-2008, Mixed media on wood, 7,6 x 8,9 cm}

^{The Royal Art Lodge, Children (67), 2007-2008, Mixed media on wood, 7,6 x 8,9 cm}

^{Léopold Rabus, Canari 10 (oiseau de cage et de volière), 2022, Oil on wood, 21,5 x 17 cm}

^{Léopold Rabus, Canari 7 (oiseau de cage et de volière), 2022, Oil on wood, 12 x 17 cm}

^{Léopold Rabus, Canari 4 (oiseau de cage et de volière), 2022, Oil on wood, 20 x 15 cm}

^{Léopold Rabus, Équipe de tiques, 2022, Oil on wood, 15 x 17 cm}

^{Vidya Gastaldon, Alfred, 2022, Acrylic on canvas, 46 x 38 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Khaled Jarrar, Anemone stamps, 2015, Mixed technique, self-adhesive stamps, 29,7 x 21 cm, Edition of 50}

^{General Idea, Middelburg Tile, 1985, Ceramic tiles and catalogue, 20,32 x 20,32 cm, Edition of 200}

^{Vittorio Brodmann, Toujours Rigol, Jamais Travail, 2012, Oil on canvas, 36 x 30 cm}

^{Will Turner, Laura, 2008, Collage on paper, 20,5 x 28 cm}

^{Yann Gross, Préparation du déjeuner, 2013, Pigment print on bagasse paper, 35 x 28 cm
Edition of 5}

^{Philippe Favier, Ether d’Ambonil #119, 2003-2004, Acrylic on wood, 20 x 20 cm}

^{Farber & Dumontier, Untitled, 2010, Mixed media, 21,6 x 27,9 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Adel Abdessemed, Politics of drawing, Coup de sabot, 2021, Charcoal on paper, 59,3 x 84 cm}

^{Richard Fauguet, Insecte, 1999, Ink and stamp on cardboard, 100 x 140 cm}

^{Giuseppe Penone, Sguardo vegetale, 1995, Photoceramic, vegetation, 13 x 18 cm}

^{Mounir Fatmi, L’Aveugle, 2015, C-Print, 62 x 50 cm, Edition of 5}

^{Marina Abramović, Portrait with Falcon, 2010, Digital pigment print on Hahnemuhle photo rag, 47,5 x 47,5 cm, Edition of 25}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Omar Ba, Constat 2, 2013, Oil, gouache, ink and pencil on corrugated cardboard, 200,4 x 150,6 cm}

^{Dorian Sari, Je me suis réveillé. Il faisait encore nuit, 2015, Mattress, 160 x 280 x 140 cm}

^{Georg Baselitz, Sans titre, 1993, Colored chalk on paper, 57,8 x 60,8 cm}

^{Charles Benjamin, Charlie knows but Charlie doesn’t want to. Charlie has but Charlie doesn’t have to, 2018, Oil pastel and crayon on canvas, 150 x 180 cm}

^{Joachim Pérez, FAUNE ET FIN, 2022, Cotton embroidery on linen roll, 10 x 290 cm}

^{Joachim Pérez, FAUNE ET FIN, 2022, Detail}

^{Ghada Amer, Sans Titre (Dinosaure sans tête), 1992, Pencil and pastel on paper, 28 x 30 cm}

^{Ghada Amer, Sans titre (Rhinocéros aux Cyprès), 1992, Pencil and pastel on paper, 28 x 30 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Fabian Marti, Such a Good Girl, 2020, Brass, hand prints of the artist and paw prints of his dog, lemon juice concentrate, 100 x 64,5 x ,6 cm, Edition of 8}

^{Not Vital, 2 Flowers, 2021, Insulating tape and silicone on paper, 43,2 x 35,6 cm}

^{Bruce Nauman, Nauman Untitled (study for Hanging Spinning Cat), c. 1989, Ink on printed paper, 28 x 22 cm}

^{Jim Shaw, Dream Drawing (I had a plastic card with IBM-type…), 1999, Pencil on paper, 30,5 x 22,9 cm}

^{Wim Delvoye, Untitled, 1985, Paint on ironing board, 136 x 34 x 7 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Till Rabus, In the box n°3, 2022, Oil on canvas, 29,2 x 29,2 cm}

^{Antoine Roegiers, L’attaque, 2014, Oil on canvas, 46 x 61 cm}

^{Alexandre Joly, Magnetic Fish, 2011-2017, Porcupine fish, magnets, piano strings, brass discs, amplifier, speaker, audio player, recordings & synthetic sounds, 60 x 60 cm}

^{Fabian Marti, Stretch, 2020, Glazed ceramic, 32 x 77 x 22 cm}