^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Alan Rath, Yes, Yes, Yes!, 2012, Aluminium, steel, rubber, fiberglass, FR-4, custom electronics, motors, feathers, 320 x 304,8 x 304,8 cm, Edition of 3}

^{Adel Abdessemed, Politics in drawing, Owl, 2021, Charcoal on paper, 59,2 x 42 cm}

^{Cristina Wendt, Ciel I, 2022, Oil on crystal paper, 100 x 73 cm}

^{Daniel Dezeuze, Sans titre VII, 1994, Pastel and lavis on paper, 50 x 65 cm}

^{Joachim Pérez, L’approche, 2021, Wool and cotton embroidery, 38 x 44 cm}

^{Yann Gross, Trophées de chasse, 2012, Pigment print on bagasse paper, 80 x 65 cm, Edition of 5}

^{Nan Goldin, The peacock after the fire, Deyrolle, Paris, 2008, Cibachrome mounted on Dibond, 76,2 x 76,2 cm, Edition of 15}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Fabien Mérelle, Deux branches, 2020, Ink and watercolor on paper, 29 x 41 cm}

^{Javier Pérez, EL DESAMPARO II, 2020, Pencil, pastel and charcoal on black paper, 71 x 51 cm}

^{Nils-Udo, Regard dans la mare, 1991, Indian ink on paper, 67 x 80 cm}

^{David Claerbout, The Algiers’ Section of a Happy Moment, 2011, Photography on barite paper, 50,8 x 67,7 cm, Edition of 6}

^{Yann Gross, Buena Vista, 2016, Phototype printing on 157 g/m2 bagasse paper, 49 x 58 cm}

^{Bob Verschueren, Installation I/99, 1999, Photo couleur, 56,5 x 91 cm, Edition of 10}

^{Robert Smithson, Torn photography from the second stop, 1970, Four-part torn offset photograph, 56,5 x 56,5 cm}

^{Serse, Gas, nuvole, 2004, Graphite on paper, 30 x 40 cm each}

^{Vidya Gastaldon, Mobydick (sperm whale), 2011, Mixed media, acrylic and oil on canvas, 120 x 100 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{David Shrigley, Cat Box, 2001, Cat box and tinted polyurethane, 50 x 115 x 75 cm}

^{Charlotte Herzig, Flashback I have a Flashback, 2020, Acrylic on canvas, 35 x 50 cm}

^{Charlotte Herzig, Flashback I have a Flashback, 2020, Acrylic on canvas, 35 x 50 cm}

^{Charlotte Herzig, Flashback I have a Flashback, 2020, Acrylic on canvas, 35 x 50 cm}

^{Charlotte Herzig, Flashback I have a Flashback, 2020, Acrylic on canvas, 35 x 50 cm}

^{The Royal Art Lodge, Children (52), 2007-2008, Mixed media on wood, 7,6 x 8,9 cm}

^{The Royal Art Lodge, Women (68), 2007-2008, Mixed media on wood, 7,6 x 8,9 cm}

^{The Royal Art Lodge, Children (67), 2007-2008, Mixed media on wood, 7,6 x 8,9 cm}

^{Léopold Rabus, Canari 10 (oiseau de cage et de volière), 2022, Oil on wood, 21,5 x 17 cm}

^{Léopold Rabus, Canari 7 (oiseau de cage et de volière), 2022, Oil on wood, 12 x 17 cm}

^{Léopold Rabus, Canari 4 (oiseau de cage et de volière), 2022, Oil on wood, 20 x 15 cm}

^{Léopold Rabus, Équipe de tiques, 2022, Oil on wood, 15 x 17 cm}

^{Vidya Gastaldon, Alfred, 2022, Acrylic on canvas, 46 x 38 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Khaled Jarrar, Anemone stamps, 2015, Mixed technique, self-adhesive stamps, 29,7 x 21 cm, Edition of 50}

^{General Idea, Middelburg Tile, 1985, Ceramic tiles and catalogue, 20,32 x 20,32 cm, Edition of 200}

^{Vittorio Brodmann, Toujours Rigol, Jamais Travail, 2012, Oil on canvas, 36 x 30 cm}

^{Will Turner, Laura, 2008, Collage on paper, 20,5 x 28 cm}

^{Yann Gross, Préparation du déjeuner, 2013, Pigment print on bagasse paper, 35 x 28 cm
Edition of 5}

^{Philippe Favier, Ether d’Ambonil #119, 2003-2004, Acrylic on wood, 20 x 20 cm}

^{Farber & Dumontier, Untitled, 2010, Mixed media, 21,6 x 27,9 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Adel Abdessemed, Politics of drawing, Coup de sabot, 2021, Charcoal on paper, 59,3 x 84 cm}

^{Richard Fauguet, Insecte, 1999, Ink and stamp on cardboard, 100 x 140 cm}

^{Giuseppe Penone, Sguardo vegetale, 1995, Photoceramic, vegetation, 13 x 18 cm}

^{Mounir Fatmi, L’Aveugle, 2015, C-Print, 62 x 50 cm, Edition of 5}

^{Marina Abramović, Portrait with Falcon, 2010, Digital pigment print on Hahnemuhle photo rag, 47,5 x 47,5 cm, Edition of 25}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Omar Ba, Constat 2, 2013, Oil, gouache, ink and pencil on corrugated cardboard, 200,4 x 150,6 cm}

^{Dorian Sari, Je me suis réveillé. Il faisait encore nuit, 2015, Mattress, 160 x 280 x 140 cm}

^{Georg Baselitz, Sans titre, 1993, Colored chalk on paper, 57,8 x 60,8 cm}

^{Charles Benjamin, Charlie knows but Charlie doesn’t want to. Charlie has but Charlie doesn’t have to, 2018, Oil pastel and crayon on canvas, 150 x 180 cm}

^{Joachim Pérez, FAUNE ET FIN, 2022, Cotton embroidery on linen roll, 10 x 290 cm}

^{Joachim Pérez, FAUNE ET FIN, 2022, Detail}

^{Ghada Amer, Sans Titre (Dinosaure sans tête), 1992, Pencil and pastel on paper, 28 x 30 cm}

^{Ghada Amer, Sans titre (Rhinocéros aux Cyprès), 1992, Pencil and pastel on paper, 28 x 30 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Fabian Marti, Such a Good Girl, 2020, Brass, hand prints of the artist and paw prints of his dog, lemon juice concentrate, 100 x 64,5 x ,6 cm, Edition of 8}

^{Not Vital, 2 Flowers, 2021, Insulating tape and silicone on paper, 43,2 x 35,6 cm}

^{Bruce Nauman, Nauman Untitled (study for Hanging Spinning Cat), c. 1989, Ink on printed paper, 28 x 22 cm}

^{Jim Shaw, Dream Drawing (I had a plastic card with IBM-type…), 1999, Pencil on paper, 30,5 x 22,9 cm}

^{Wim Delvoye, Untitled, 1985, Paint on ironing board, 136 x 34 x 7 cm}

^{Group Show: INTO THE WILD, Exhibition view. Photo: Grég Clement}

^{Till Rabus, In the box n°3, 2022, Oil on canvas, 29,2 x 29,2 cm}

^{Antoine Roegiers, L’attaque, 2014, Oil on canvas, 46 x 61 cm}

^{Alexandre Joly, Magnetic Fish, 2011-2017, Porcupine fish, magnets, piano strings, brass discs, amplifier, speaker, audio player, recordings & synthetic sounds, 60 x 60 cm}

^{Fabian Marti, Stretch, 2020, Glazed ceramic, 32 x 77 x 22 cm}