Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann

Stripped Bare, 2009, Bullet-proof glass and steel, 277 x 175 x 79 cm

Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann

The Blind Leading the Blind, 2024, Two white canes, 95 x 95 cm

Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann

Oculist Witness: Le Passage de La Vierge à La Mariée / Virgin of the Rocks, 2014, Perspex and dibond, 60 x 40 cm

Oculist Witness: Vierge N°1 / The Seven Sorrows, 2014, Perspex and dibond, 60 x 40 cm

Oculist Witness: Première recherche pour La marièe mise à nu par les célibataires / The Marriage of the Virgin, 2014, Perspex and dibond, 60 x 40 cm

Oculist Witness: Vierge N°2 / Mater Dolorosa, 2014, Perspex and dibond, 60 x 40 cm

Oculist Witness: La Mariée / La Vierge aux rochers, 2014, Perspex and dibond, 60 x 40 cm

In Advance id a Broken Arm, 2010, Painted bronze, bolt and chain, 81 x 20 x 8 cm

Self Portrait, 1995, Heineken beer bottle (Original Destroyed on Flight TWA800 on 17 July 1996), Part of a series of 12 unique Lost Objects, 10,5 x 12 x 6 cm

Oedipus Erratu Tu’ m, 2007, Catalogue Raisonné of Marcel Duchamp (Second Edition) with Judas (Overture), 32 x 27 x 6 cm

Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann

“Tu M’attire”, 2024, Gold leaf on Lost Object Found, 16,5 x 9 x 3,5 cm

Rack II, 2009, Lost Object, Heineken beer bottles, 50 x 50 x 50 cm

Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann

Trois Ecoles (After Picabia), 2003-2019, Framed offset print, 40 x 85,7 cm

Point Black, 2004, Artist book with gunpowder, bullet holes, 21 x 15 x 1 cm

No Objects (Fingered) – Lost Object, 2004, Book, signed, 23 x 32 cm

Blind Faith No More, 1997, Lost Objects (Vinyl records), 33 x 70 cm

“After Hans Arp”, 1994, Xerox, 29 x 21 cm

T. W. (Fugitive), 20 May 1992, Police fine, 34 x 24,5 cm

EMPTY V (I AM STILL A LIE), 31 January 2011, Telegram, 29,5 x 21 cm

No Objects (White Out), 2000, Rectified Lost Object (Catalogue: The Collection of Annick and Anton Herbert, Casino), signed, Luxembourg, 2000, 28,5 x 21,7 cm

Fin du Monde, 2019, Sprayprint and inkjet on canvas, 46 x 55 cm

Les Larmes d’Eros, 2009, 50 cc of tear gas in glass bulb, 18,5 x 9 x 7 cm, Edition 5/5

Open Letter, 2024, Charcoal on paper, 76 x 56 cm

Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann

Oculist Study 2762, 2024, Charcoal on paper, Triptych – 76 x 56 cm each

133. Air de Paris (50 cc of Paris), 2nd version Marcel Duchamp (Diptyque unique), 1995, Inkjet on canvas, 100 x 120 cm

Bruce Neuman Failed to Bind, 2003, Brass plate and rope banister, Banister: 120 x 45 cm, Plate: 5 x 15 cm, Edition 5/5 

Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann

Brawl I, 2009, Bullet-proof glass and wood, 69,5 x 33 x 20 cm

Oculist Study 2734, 2024, Charcoal on paper, 76 x 56 cm

Oculist Study 2852, 2024, Charcoal on paper, 76 x 56 cm

Oculist Study 2835, 2024, Charcoal on paper, 76 x 56 cm

Oculist Study 2753, 2024, Charcoal on paper, 76 x 56 cm

Oculist Study 2840, 2024, Charcoal on paper, 76 x 56 cm

Oculist Study 2863, 2024, Charcoal on paper, 76 x 56 cm

Oculist Study 2870, 2024, Charcoal on paper, 76 x 56 cm

Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann

Oculist Study 2746, 2024, Charcoal on paper, Diptych – 76 x 56 cm each

Arma Sinistra, 2004, Rectified Lost Object, 66 x 98 cm

Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann

Duchamp’s Endgame. Da Vinci, Dürer, Ingres, Poussin, 2024, Publisher: Wilde, Fonds Mercator and Yale University Press, Language: English, Dimensions: 25 x 19 cm, Pages: 192 pages, Format: Hard cover

Signed and Sealed, 1997, Potlatch (Rubber Stamp), 10,5 x 3 cm, Open edition

Exhibition view, Kendell Geers: The Oculist Witness, 10.06. – 17.08.2024. Wilde Basel. Photo: Andreas Zimmermann