Omar Ba
Omar Ba was born in 1977 in a Serer village located 150 km from Dakar in the Fatick region of Senegal. He was trained at the École Nationale des Beaux-Arts de Dakar and the École des Beaux-Arts de Genève. The artist lives and works between Dakar, Senegal, and Geneva, Switzerland.
Ba’s work engages with some of the most urgent issues of our time: the growing inequality of wealth and power globally, questions around immigration, and our changing relationship with the natural world. Ba regularly draws from and intertwines a range of elements from African and European cultures, as well as the techniques and tools he employs, including corrugated cardboard and canvas, paintbrushes and his hands. He prepares his surfaces – whether cardboard, canvas or wall – with a black ground, upon which he layers a vivid palette dominated by primary colours. The paintings teem with details as micro-worlds exist within larger constellations, oscillating between bold planes of colour and intricate outlines. Largely symbolic, the figures and forms portrayed refer not to specific individuals, but are open to universal narratives.
The artist’s latest paintings depict dictators and authority figures who lead corrupt and violent regimes across the African continent. Represented as beasts – part human, part animal – these despotic warlords are typically enveloped in an abundance of lush flora and fauna. The world of Ba’s painting is a hybrid one, ultimately evoking a shared cosmogony between humans, plants, and animals.
Recent institutional exhibitions with Ba’s work include solo shows at the Royal Museums of Fine Arts of Belgium (Brussels, Belgium), Contemporary Calgary (Canada), The Power Plant (Toronto, Canada), and MBAM (Montréal, Canada). Recent group exhibitions feature ones at Centre Pompidou (Paris, France), Musée d’Art Contemporain (Marseille, France), Fondation Louis Vuitton (Paris, France), Palais des Beaux-Arts (Brussels, Belgium), and Royal Academy of Arts (London, UK). His works have been included in several public collections, including those of the Centre National des Arts Plastiques (Paris, France), Swiss National Collection (Basel, Switzerland), Fondation Louis Vuitton (Paris, France), Louvre (Abu Dhabi, United Arab Emirates), Collection du Credit Suisse (Switzerland), Collection Mirabaud (Switzerland) and Ville de Genève (Switzerland).
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Imbrication et impact, 2024
Oil, ink, acrylic, pencil, pigment on canvas
200 x 300 cm

Alliés fidèles, 2024
Oil, ink, acrylic, pencil, pigment on canvas
250 x 150 cm

Engrenages de la terreur 1, 2024
Oil, ink, acrylic, pencil, pigment on canvas
100 x 80 cm

Engrenages 5, 2024
Oil, ink, acrylic, pencil, pigment on craft paper and polyester
67,7 x 57,7 cm

Devoir de mémoire, 2023
Oil, acrylic, Indian ink, Tipp-Ex, markeur and coloured pencils on 149 moving boxes
301 x 928,5 x 39,5 cm

Shadow 2, 2021
Oil, acrylic, Chinese ink on cardboard
241 x 160 cm

Sans titre, 2023
Mixed media on canvas
107 x 107 cm

This man is not Lumumba, 2019-2023
Pencil, acrylic, gouache, oil on cardboard
206 x 133 cm

The crazy world is behind us, 2021
Oil, acrylic, Chinese ink on canvas
133,5 x 89 cm

ONU – House of Exile, 2021
Oil, pencil, acrylic, Chinese ink, gouache on cardboard boxes
316 x 557 x 40 cm

Sans titre, 2014
Gouache on cardboard
69,5 x 49,8 cm

Le Camp de Thiaroye 3, 2009
Oil, Chinese ink, pencil on corrugated board
229 x 150 cm

Océan Atlantique 1, 2021
Mixed media on canvas
91,5 x 89 cm